Gladstone is pleased to present an exhibition of new works by Richard Aldrich. Through a multifaceted, conceptually-based practice that encompasses painting, sculpture, and drawing, Aldrich defies simple categorization. Here, the artist presents a series of works that continue upon his career-long interest in visualizing immateriality and the processes of perception through the modalities of art and exhibition making. Unlike previous exhibitions, which often brought together a curated selection of works from the past two decades of his career, the focus of this exhibition is a series of the artist’s recent large-scale paintings made over the last three years.
Aldrich’s intentionality in this new selection of paintings is immediately recognizable, with each work acting as both art objects and, when viewed all together as a complete exhibition, as mirrors through which viewers can undertake their own understanding of what is presented, beyond the visuality at hand. Resisting easily digestible categories like abstraction, figuration, and collage, Aldrich proposes a new form of comprehension by positing how art concepts are used and presented, without being rooted in stylistic definitions.